Tamil Movies Hot Scenes Biography
Source (google.com.pk)
With the village festival, as well as Nirmala's wedding date nearing, Shiva decides to surprise his family and friends, turning up a little earlier than the intimated date. It is on the same fateful day that Karuppu gets too drunk to handle the bus in the dark, and Subbaiah takes charge to ferry the vehicle across to Palani, from Pannaikadu. In the dark winding roads, someone suddenly falls in front of the bus, just as Subbaiah pulls it to a halt. But it seems too late, hot scenes as the man is already injured. Scared by the reversal of roles and the eventual fatal accident, the driver and conductor pass on the unidentified man to a passerby, to get him admitted in the nearest hospital. When it dawns, the two realize it was Anna Sir's son Shiva who had met with the accident, and they rush to find out how he is doing. Surprisingly, there is no news of him being admitted in any hospital nearby. What arrives eventually is the news of Shiva's suicidal death, off a faraway hill. Why wasn't he admitted to the hospital by the stranger? How did Shiva die? Who is the stranger in the dark? Was it an accident or a murder, and why? Answers to all this is what 'Jannal Oram' constitutes of.
Vimal has an appealing screen presence as a conductor new on the job. The first few days when he struggles to get accustomed to the job and the new ambience are portrayed with simplistic originality. Manisha comes around as an unassuming yet smart girl, who feels hot scenes the responsibility heavy on her shoulders, post the demise of her father. The charm of a little girl does not leave Manisha's face at any point in the story, and it is she who forms a pillar to the sharp turn that the story takes, slowly unfolding all the answers. Poorna is a responsible woman, with relatively minimal screen presence, yet strong role in the film. It is not often that Parthiban takes up a role, and his mere presence is proof of the pudding that the story is nothing like anything we have seen so far. The procedural introduction of characters and the practice to get used to who's who, would have been a drag, but for Parthiban's impromptu presence. As Karuppu, Parthiban has played a rigid hot scenes her supporting character. Vidharth here is a surprise package! As the story unfolds, it may seem predictable, but it is only at the fag end that the picture clears out on a heavy flashback.
With so many movies these days, wrapping up briefly on just a few prominent characters, 'Jannal Oram' is a lot to take in and digest. The film has a solid story, which begins only a little further into the screenplay, as it takes that long for all of the many characters to sync in. However, you may even be familiar with the narrow streets in Pannaikadu and the winding route from Palani by the time the actual story begins. Though it would have been abrupt to start the narrative before giving a clear picture about all characters, it seems rather too elaborate in a time when most movies are short and quick.
Pannaikadu is a beautiful place, and so is the long winding lanes on the mountainous terrains between Palani and the small village. With a major portion of the movie having shot in and around a bus in dangerously high and narrow locations, it takes an expert to bring the feeling to light, and Arbhindu Saara has done justice to the script in every way. 'Jannal Oram' is a story oriented film, with not much importance to the dreamy dance sequences. But Vidhayasagar's music is a welcome relief at places where the story seems to get too heavy on the audience. Breaking the traditional folk theme for song in the village's annual festival, 'Aasa Vecha Manasula' is an interesting change and also a turning point in the story. Editor in the movie also needs special mention, in making the rural concept look as appealing to the urban audience as possible.
J.C.Daniel is highly educated and belongs to a well to do family in Trivandrum a main city in Travancore Province (Part of Today's Kerala). He learns the art of Cinema and passionate to make a film of his own.
With the support of his wife Jannet (Mamta Mohandas) who accepts to sell their property for Daniel's passion and a few other friends he starts ground work for the maiden Cinema of the Malayalam land. He establishes a films studio of his own and christens it as The Travancore National Pictures.
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Tamil Movies Hot Scenes Tamil Movies 2013 Photos Latest 2011 Images 2012 Poster List Hot Wallpapers
Vimal has an appealing screen presence as a conductor new on the job. The first few days when he struggles to get accustomed to the job and the new ambience are portrayed with simplistic originality. Manisha comes around as an unassuming yet smart girl, who feels hot scenes the responsibility heavy on her shoulders, post the demise of her father. The charm of a little girl does not leave Manisha's face at any point in the story, and it is she who forms a pillar to the sharp turn that the story takes, slowly unfolding all the answers. Poorna is a responsible woman, with relatively minimal screen presence, yet strong role in the film. It is not often that Parthiban takes up a role, and his mere presence is proof of the pudding that the story is nothing like anything we have seen so far. The procedural introduction of characters and the practice to get used to who's who, would have been a drag, but for Parthiban's impromptu presence. As Karuppu, Parthiban has played a rigid hot scenes her supporting character. Vidharth here is a surprise package! As the story unfolds, it may seem predictable, but it is only at the fag end that the picture clears out on a heavy flashback.
With so many movies these days, wrapping up briefly on just a few prominent characters, 'Jannal Oram' is a lot to take in and digest. The film has a solid story, which begins only a little further into the screenplay, as it takes that long for all of the many characters to sync in. However, you may even be familiar with the narrow streets in Pannaikadu and the winding route from Palani by the time the actual story begins. Though it would have been abrupt to start the narrative before giving a clear picture about all characters, it seems rather too elaborate in a time when most movies are short and quick.
Pannaikadu is a beautiful place, and so is the long winding lanes on the mountainous terrains between Palani and the small village. With a major portion of the movie having shot in and around a bus in dangerously high and narrow locations, it takes an expert to bring the feeling to light, and Arbhindu Saara has done justice to the script in every way. 'Jannal Oram' is a story oriented film, with not much importance to the dreamy dance sequences. But Vidhayasagar's music is a welcome relief at places where the story seems to get too heavy on the audience. Breaking the traditional folk theme for song in the village's annual festival, 'Aasa Vecha Manasula' is an interesting change and also a turning point in the story. Editor in the movie also needs special mention, in making the rural concept look as appealing to the urban audience as possible.
J.C.Daniel is highly educated and belongs to a well to do family in Trivandrum a main city in Travancore Province (Part of Today's Kerala). He learns the art of Cinema and passionate to make a film of his own.
With the support of his wife Jannet (Mamta Mohandas) who accepts to sell their property for Daniel's passion and a few other friends he starts ground work for the maiden Cinema of the Malayalam land. He establishes a films studio of his own and christens it as The Travancore National Pictures.
No comments:
Post a Comment